Tuesday, 3 October 2017

The Vignelli Canon



The Vignelli Canon

In this book, renowned designer Massimo Vignelli teaches his fundamental principles of design, covering many topics such as; typography, grids, layout, paper and scale. As a result of the numerous aspects of design Vignelli touches upon, there is no resultant argument or theme, more so a large quantity of ideas and opinions, these include: Semantics- fully realising and researching the meaning and context of a design before carrying out any visual development; Typography - only a small quantity of typefaces are required to create successful design work - "it's not the type but what you do with it that counts."; Timelessness - a design should stand the test of time and never become outdated, typography should "transcend subjectivity. Design should not follow trends.

I think Vignelli clearly had an exceptional wealth of knowledge and experience in the world of design. He demonstrates with great clarity his grasp on grids, rulers, layout and spacing. His principles on white space being key to editorial layouts, contrasting typefaces being used for effect and the hierarchy of a designers 3 biggest responsibilities (personal integrity, the client and the consumer) are perceptive and logical. Having said this, I do believe some of his rules are too  restrictive and old- fashioned; such as there only being a necessity for a handful of typefaces or his minimal application of colour. Ultimately I think this is down to the difference of the times he was operating in compared to modern day. Graphic Design is a complicated pursuit, rules, grids and guidelines can help us make sense of it and create successful designs, but in the end it is still a creative endeavour, and sometimes defying the rules can be justified when it looks and feels right.

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