OUGD404 - Studio Brief 2
The task for studio brief 2 is
to create a set of 3 book covers with a coherent style, colour palette and grid
system. These books must have a link or shared theme.
I've chosen to do poetry books
because a book of selected poems has a variety of descriptive and emotive language about a range
of things; offering a plethora of subject matter to visually communicate. I
also enjoy reading poetry anyway so it will give me a chance to choose books
I'm already familiar with.
My chosen theme for this set of
3 books is poetry which can be applied to different senses - poetry of the
senses.
Sight
I've chosen 'Selected Poems' by
E.E. Cummings, edited by Richard S. Kennedy, to represent sight. Cummings was
not only a poet but a painter and often he tread the line between the two,
experimenting with the interactions of language and visual expression. Having
simultaneously been an artist and poet, a lot of his works will demonstrate
similar themes to his poetry, however the main reason this set of poems
embodies the sensation of sight being applied to poetry is the chapter titled
'Poetry of the Eye' - inspired by cubism, this poetry is purely visual,
unintended to be read in some cases.
Hearing
There's no better link between
poetry and the sense of hearing than in music. Many great musicians have
written poetry such as John Lennon and Johnny Cash, however one of the most
prolific was Leonard Cohen, which is why I've chosen 'Book of Longing' by
Cohen. Not only did his song writing and poetry share the same soulful, emotive
and engaging themes and language, his poetry has lyric like qualities to it,
using rhyming schemes such as AABB and ABAB which are commonly used in songs.
This gives his poetry a sense of rhythm and purpose to the way it's said.
Smell/Taste
The intersection of poetry with
different senses clearly becomes more intricate and complex once vision and
hearing are no longer considered. Having said this, a poet who definitely
crafted his poetry so evocatively and into such an immersive experience that
senses like smell and taste are almost imagined, was Pablo Neruda. One of the
greatest poets of the 20th century, Neruda used eloquent and elaborate language
and appealed to different senses to create a visceral experience, putting the
reader in whatever scene or situation he wrote about.
"Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it. While the sad wind goes slaughtering
butterflies I love you, and my happiness bites the plum of your mouth."
"your soul is a thirsting bottle of salt and a bell of
grapes is your skin"
" the pale day appears, with a cold heart breaking
smell, with its forces in grey"
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